Showing posts with label Thanks. Show all posts
Showing posts with label Thanks. Show all posts

Friday, February 1, 2013

Hitting the Triangle at the Right Time

I'm in the dining room, the warmest room in the house, back on Blogger, tapping the keys, attempting to hit something, anything (maybe it's the coffee pot—which I've already too often hit—or, maybe it's the pavement that beckons me, walk! or, it might be—or should be—the books, or maybe it's my damn forehead) at the right moment. Smack. Harder. Smack. As it turns out, I hit my forehead more than anything else. And it hurts. 

This snippet, from a paper cutout taped to a black and white photo found on Bennington alum Mary Ruefle's website, was this morning's flash moment:

Mine is like the role of a triangle player in an orchestra. 
Every once in a while, I have to hit the triangle at the right time

British musician/producer/composer Nitin Sawhney's answer to How does the orchestra's triangle player earn a living? (From The Guardian):
No one in an orchestra is paid by how many notes they play. They're paid, and rightly so, for the amount of time they spend in rehearsal and on stage. You might think a triangle player's job was pretty easy compared to, say, a first violin, but just think of counting all those bars' rest and what happens if you come in wrong.
Sometimes, I experience extended moments wherein the weight of time flattens me. The brows are thinning, people! I don't want to come in all wrong, I haven't the time! Jesus, how long do I have to wait before hitting it? And can you imagine if a writer were paid for the number of hours she put in sitting at her desk? RehearsingWaiting? Smacking her head with the palm of her hand. Repeatedly. Rehearsing some more. Waiting, waiting, waiting. To hit it. Smack, smack, smackIt might actually be worth all those hours of self-flagellation.

I'm going for a walk...

milkysmile

I'm back. Wait. Wait. Waiting... Rehearsing... smack.

- - - - - - - - - - - 

I'm going to pick up the kids at school...

milkysmile

I'm back. Wait. Wait. Waiting... Rehearsing... smack.

On Bennington:

Here's the best thing about a writing workshop: You cannot escape from what you've failed to include. There's an (rhetorical) inquisition: Why has the shell hardened? Are you rich? You have kids(!)? Is it dead or gone? Are you ok? Are you wearing snowshoes to write? 

Mute answers: I'm not sure (maybe I used the wrong adjective—or the wrong WIP altogether). Hell, no. Yes. Both. Yes. Hahaha... um, bad metaphor. Really bad metaphor.

Writers are reading between the lines. They are scrutinizing the subtext. This is good, yes, but I'm thinking, They are all so much smarter than me. How did I get here? Perhaps I hit the send button, with my writing samples attached, at the right time. Yes, that was a triangle at-the-right-time moment!

My two essays were workshopped on the last day of the ten-day literary vortex that was my first residency at Bennington. Pretty easy compared to, say, a first violin. From there, I lunched and vortexualized with my new writerly vortexees (and, boy, do you ever bond quickly with writerly vortexees), and then set out (a little weepy) for my three plus hour drive back home. Counting all those bars' rest. Lulu kept me company on the phone for the last half hour stretch through Rhode Island, right to my front door. What happens if you come in wrong? There, she waited for me with a great big zealous embrace. 

I waited a long time for that hug.

(Lulu knows precisely how to come in right.)

Happy, happy I was to be back home with the orchestra. Waiting, rehearsing, even smacking the head. You see, what I've discovered is that, as impatient as I am, 
I can wait. And don't I enjoy being a triangle player. 

Monday, November 19, 2012

A Secret World — A Special Soliloquy


Inside the books...

Is where I find Lulu, in the family room scanning the tall shelves, the hundreds of books. Have you read all of these? she asks.

Ah huh, I nod, just about. Wait, maybe I didn't read Sister Carrie.

Wow! I don't know why I hadn't noticed these before. I never really looked at them all. 

Yes, I say, well it's not a big deal. I've had a half century to read stories.

Lu swipes her paws across the paper spines and smiles, Hmm, true, but it's still a lot of books.

These books have been my secret worlds. Each one of them, with their own special suns and stars, seas and rivers, pyramids, canyons, gulags. They are made from Poof! Just like this multifaceted planet on which we make our home.

Max tells me that it all started with a bubble, or foam, from which things popped. Or fizzed. I ask him where the bubble, or maybe the foam, came from. There must have been air. Was this the kind of foam in which you could take a bath? He shakes his head, up, down, Yup, yup, that's the question! Exactly.

Planets, universes, worlds, or books—the Poof! came from something. May I suggest, a mastermind?

This was the world before Poof: someone, something, yes, a mastermind conceived a plot, a situation, characters, conflict, tension, climax, resolution, catastrophe, revelation, and designed, created, this story within a dramatic structure, along a sweeping arc, born of a secret world, and put it (and run-on sentences, too) out there, in the air, in space, in the universe, on the planets, on Earth, on bookshelves, at Amazon, for us. For our pleasure.

This is true.

Poof!

This January I will be joining another kind of secret world. For the next two years, in this mystical, somewhat secluded bubble of a world (a/k/a  The Bennington Writing Seminars at Bennington College), I will be working with some brilliant and highly regarded authors, and will be reading no less than one-hundred books. And maybe, writing one. Actually, I'm registered, matriculated, and have already begun the work. January will bring the first of five ten-day residencies over the following two year period. This full-time process, in theory, should culminate with a Master of Fine Arts degree in writing and literature.

I'm pretty excited.

And terrified.

I am not a mastermind, but I'm hoping for a big Poof!

This, of course, will require a lot of dark (or white) space for a while. Not quite a vacuum, but a space with clear, colorless, odorless air in which to breath, void of fiery comets or space debris, or anything that has the potential to crash into my secret world and throw me off course. You know what I mean. It will require many days at the library. Cloistered. So here, my friends, may be my last post for a long while. I won't say forever. But, well, you know I'm no multi-tasker.

Saturday night, Michael and I went out to listen to Red Molly, a girl band (as they refer to themselves), a really fabulous girl band about whom I wrote, in a Frolic, nearly a year and a half ago. They were performing in a small town in Massachusetts. There, in an acoustically perfect coffeehouse, at the very end of the evening, past 11:00 PM and bordering on breaking some serious rules (wrap it up girls—our traffic detail needs to go home!), they sang their final song.

May I suggest.

And this song, I forward to you, a Thanksgiving of sorts, a Thank You. Until I once again emerge from my secret world...

Poof!


May I Suggest
By Susan Werner

May I suggest

May I suggest to you

May I suggest this is the best part of your life

May I suggest
/ This time is blessed for you

This time is blessed and shining almost blinding bright

Just turn your head
/ And you'll begin to see

The thousand reasons that were just beyond your sight

The reasons why /
Why I suggest to you

Why I suggest this is the best part of your life



There is a world

That's been addressed to you

Addressed to you, intended only for your eyes

A secret world

Like a treasure chest to you

Of private scenes and brilliant dreams that mesmerize

A lover's trusting smile
/ A tiny baby's hands

The million stars that fill the turning sky at night

Oh I suggest
/ Oh I suggest to you

Oh I suggest this is the best part of your life



There is a hope

That's been expressed in you

The hope of seven generations, maybe more

And this is the faith
/ That they invest in you

It's that you'll do one better than was done before

Inside you know
/ Inside you understand

Inside you know what's yours to finally set right

And I suggest
/ And I suggest to you

And I suggest this is the best part of your life



This is a song

Comes from the west to you

Comes from the west, comes from the slowly setting sun

With a request / With a request of you

To see how very short the endless days will run

And when they're gone

And when the dark descends

Oh we'd give anything for one more hour of light


And I suggest this is the best part of your life

Tuesday, July 17, 2012

Sea of Unease





























             “This is not good,” I tell my husband. We're in bed. From the house in which we will soon slumber, or try to, we can hear the ocean stirring. It pounds against, and gnaws at, one of the most exquisite islands in the Atlantic. I have been searching for suspicious moles, moles that eat away bodies, since the morning of my physical. I've stretched out my naked right arm and, with my iPhone, taken a picture of what I consider to be a particularly suspect mole, centered, and burrowed deeply along the outer ridge of my armpit, and I am comparing it to the onerous looking moles of the online medical journals that I’ve culled from the Internet with my laptop. Mine is an old, curmudgeon of a mole. At one time it was a pageant-worthy beauty mark, whether adorned by a simple black camisole or a paisley silk sheath. It was a freckle at birth.

Now, it is swelled in various shades above the skin where it meets a charbroiled crescendo; it seems as maddened as a volcano on the verge of blowing, like the sick, angry moles I see on the vast Internet: multilayered and gibbous, some with dry, crusty patches, areas that look like burnt chicken skin, or tiny clusters of flying fish roe. I am jumping from website-to-website for evidence that will justify my fears, and with each hit my anxiety balloons. I see more: cancerous black lesions with uneven borders, red and blue-gray blemishes that indicate malignancy. The photos I’ve taken just won’t do so I tuck my head into my armpit, even though it’s nearly impossible for me to get a decent view of the mole from this angle (or any angle for that matter), and stretch the skin around the dark nub. Michael pulls his book away from his face and gives me a look. What am I doing? I know that he thinks I’m loopy. But this doesn’t prevent me from searching, armpit and Internet, even as I become aware of the increasing anxiety that will keep me from a solid night’s sleep.

“This is bad,” I say to Michael, as if he has not heard my first complaint. “Does this not look like melanoma to you? And why is my doctor concerned about this one?” I point to the dark nebula. “This one looks like all the others. Should I be worried about the others?”

I know Michael wants to say, Yes, you should be worried about the others, just as you worry about everything else. Yes, worry, dammit! Worry and then shut up. But he doesn't say this. He tells me simply to have it removed when we return home. We are on vacation, after all. But I take Worry with me wherever I go.

Instantly I want to shout, Easy for you to say, you're not the one with all the raging moles! Instead I say nothing and he tells me to stop reading about melanoma. I think about my father, my brother-in-law, and one of my closest friends, all of whom I’d lost to cancer in short time. I think about my sister whom had layers of squamous cell carcinoma shaved off her nose. She is in the clear now. It was just last September when my now annoyed and fatigued husband spent three hours on the operating table having his prostate removed. (How in the world could I have wished to utter, Easy for you to say?) Cancer. I’ve become hyper-vigilant. It is quiet, quiet, and we can hear the sea, in and out, and the constant wind gusts, and we can smell the mist from the ocean that comes up in squalls, over the dunes, into the hollow and through the house. We are on the eastern side of the island and the beach is a walk away over the dunes. A large, gentle pond sits on the other side of the sandy, rosa rugosa-lined path that divides house from water. I could be anywhere, though. Anywhere, and I would still tend to Worry.

Earlier in the day, we had taken the high-speed ferry from Hyannis to Nantucket with our two teens. We’d come to visit and relax with my in-laws who own a small home in Quidnet. My father-in-law met us at the wharf where the ferry pulls in. It’s a lovely area of the harbor, trimmed with grey wooden docks, shingled structures and bricked and cobblestoned roads which spill into the island’s historic downtown, where, by way of special zoning bylaws, no large restaurant franchise or retail chain can be found with the exception of a Ralph Lauren store, which Lauren acquired at a cost of more than six million dollars prior to the passing of the bylaw. It all seems so quaint and pristine, so very removed from the rest of the world and all its commercial trappings and corruption. Madras-clad, Sperry-footed people strolling the streets, no hurry, no worry, no mission other than to pass the moment blithely. During one of our previous trips to Nantucket I had read that the island’s early settlers, the Wampanaug Indians, referred to this golden bib of land as a Place of Peace, or in their own language, canopache. To the native peoples, this island was also removed from the world, a faraway place, and so they named it Nantucket, meaning, in their native tongue, faraway land. And it occurs to me now, as I stretch out my armpit mole that the only thing that seems faraway to me is my ability to relax.

We loaded our bags in my father-in-law’s black Range Rover and he drove us out beyond the slick cobblestone, alongside lush, undulating pastures, and pretty ponds dotting the salty landscape, east, down Polpice Road and out to Quidnet, where we quickly changed into our bathing suits and charged back out to the island’s south side, to the narrow strand of beach known as Nobadeer.

But even on Nobadeer’s ribbon of packed, turbinado sugar-like sand that falls out into the wide-open Atlantic, into the blue, blue horizon, I was too anxious to relax.  On the shore I wondered how this fine-grained land must have looked when it first rose from thawing ice sheets, when it was nothing but sandur, an outwash plain from Earth’s last glacial period, separated from Cape Cod’s mainland by the icy retreat; how pristine it must have been! Pristine it still is, in many ways, and even more so during the off seasons, fall through spring, when the island’s population is one-fifth of what it is during the summertime.

Yet, it is not entirely unsullied. It overpopulates in the summer months, especially during the time when we are here—the days that flank both sides of the 4th of July—with a noticeable accrual of noise and litter, especially downtown. This summer, it may be even more populated due, in part, to being recently named the best island in the world by National Geographic. But even with its quaint village, and remarkable landscape, its dramatic drops from highland to sea, it’s hard to imagine that Nantucket would be more beautiful than, say, Bora Bora (though I’ve never been to a land that faraway).
Just above Nobadeer’s dunes is Nantucket Memorial Airport, and early afternoon during the week of July 4th planes descended above heads every ten minutes or so. Later afternoon, the same planes took off with such reverberating thrust that we could not hear one another speak across a beach blanket.

On this island, a place where money is no object, where waterfront is often reserved for the rich, I peered out at the sea before me, at the narrow shoreline, at Max and Lulu on their boogie boards searching for the big wave to Bliss, and then turned back behind me to view the shedding dunes that make clear this earth is still undergoing a glacial warming. Nobadeer slowly erodes, I am told, by ten feet per year—which, to me, hardly seems slow. What was once a wide swath of silky sand is now this narrow strip of beachfront. One can still maneuver a car along the edge of the sandy fraying ribbon just above the high water mark, but it is tricky and, at times, hazardous. There are no lifeguards, no restrooms, nor any facilities, for that matter, at Nobadeer. Summer residents drive out to the beach in SUVs or Jeeps packed with provisions for the day. They open the backs of their vehicles, tailgate style, set up tents and tables and large, colorful beach umbrellas, and spread their feast across the sea-green tablecloth.

Nantucket style—as if there were never meant to be a care in the world.

I sat in a canvas chair by the water at low tide until tall, foamy swells began to wash in and overtake my canvas nest, and observed the busy airport. How long would it be before the constant process of the wearing away of expensive soil and pebble cut into the airport proper and all the turbinado sugar washed out to sea? It appeared that there was hardly a hundred yards from rolling tide to runway. Let's see, ten feet per year, a hundred yards, in roughly thirty years there would be no more fine dining at Nobadeer.

Already, a good portion of Nantucket's seashore had been closed to protect the nesting piping plovers, so access to the ocean was restricted. If you are on Nantucket in the summertime you may not be happy about this, especially if you’re a big beachgoer and the island is swollen with company. Or, you may be elated and thankful for the efforts of conservationists. I was happy that we’d found a beach where the piping plovers do not nest, where we could gather with our hosts and new friends, and watch the children surf and in the rough littoral, and literal, tumble of the breakers, and rake up smooth, white shells. This was a place where the sun stayed pasted in the sky all day and I could simply be there, without obligation, except to sit in a low chair, half-way under a beach umbrella, book bag at my side, consuming food and drink enough to last us a week. Soon, though—maybe it was the pulsing heat—my attention to the distance from shore to airstrip, the sloughing of the beach and dunes, and the private jets and puddle jumpers descending above our sunburnt heads faded, and in a seamless shift I found myself hyper-focused on the itchy, dry, raised mole perched at the nape of my right armpit, above the grooves and swells of axillary folds; it was the nub that was sure to keep me from vacationing. Had it changed over the years? I wasn’t sure. Why didn't I know this? The more I inspected it, the more uglier, angrier looking, it grew. This was not the mole that my general practitioner tapped with her index finger and insisted—as she did the day before we left for Nantucket—must come out. That mole, what she called “irritated and suspicious looking,” floats atop the soft, creamy skin of my upper abdomen and is part of a constellation of small, chocolaty moles that, together, if closely observed, resemble the inverse image of the Little Dipper. That little nebula hardly looks suspect to me.

“She’s wrong about this,” I say to Michael. I’m irritated. “The sick one, the angry one is this one!” I shove my iPhone before his face so he can bear witness to the gruesome, pixelated details of my monster mole, the one that’s infiltrated my body.

“You’ve got to stop thinking like this,” he sighs. “Let’s get some sleep, please.”

The ocean stirs a savory potion, and I want to gulp it down, I want it to magically quell my nerves, to melt the stone in my chest, to make worries go Poof! But I torment myself with Worry into the wee hours before I'm finally lulled to a half-sleep by the salty elixir.

It is like this for the next week. We are on Nantucket, then the Cape. The mole stays angry, I double up on sunblock and get little sleep. A rock stays lodged in my chest. I know it's bad. I wonder if my GP should be the one to disturb the suspicious mole and the hostile armpit mole; mining them from my body. (Where are all the mined moles stored?) There had been a prior excavation—neighboring moles had merged just above the belly button. Moles that merge are always suspect and they are excised with little inquest. In the case of my conjoined moles, former constituents of the abdominal constellation, a half-inch core of skin, fat and tissue to which the moles were attached was cut out with a sharp knife by a Boston dermatologist, who dropped the gory specimen in a liquid preservative housed in a glass jar and jiggled it before me, like I was a spectator at an old wild west hanging. I later learned that the procedure was unnecessary as the mole cluster was determined to be benign. Yet, I was glad for the news, even the cutting, despite the fact that now set at a 45 degree angle a few inches above my navel is a one-inch scar that looks like the fossil of a centipede. I do not wish to have my torso marred by ghostly arthropods.

But I worry.

I say nothing to anyone but my poor, patient husband. I am disgusted with myself. I should be happy, carefree, grateful for the opportunity to be vacationing with Michael’s extended family, all of whom generously host our Cape Cod and Island excursions (of which, otherwise, we couldn’t afford). I resolve to find easy moments with family, and I do: warm, sea-salty moments that are sprinkled, no, flooded with lively, fresh seafood dinners, quiet walks on the bay, excited faces on the little Boston Whaler that takes us out to the little barrier island of Sandy Neck. I am able to shave layers of weighty anguish off the rock. The sky is blue, the weather temperate, and in the late evening the empyrean vault sparkles with amazing firework. All is well until I go to bed. There, I tell myself I am eroding. Like Nantucket’s ecosystem, my body is bearing its fragility. I am aging, deteriorating, and well, something is bound to go seriously wrong with this body. Can't we reasonably expect this?

Back home, where there is no ocean to see or smell for miles, I unpack my suitcase and empty the contents of my book bag. Tucked inside the bag's zippered pocket I find two well-preserved seashells that I'd plucked from the shoreline of Nobadeer. They are large, beautiful shells that look like marble or limestone spiral igloos, not the common mermaid's slipper found on Nantucket's beaches. These shells had once protected muculent inhabitants: snails of deep water—the moon snail. He burrows, too, into mud bottoms, searches for prey, clasps a clam with his gelatinous foot and bores a hole through his prey’s armor with his toothy, chitinous tongue, an acid-tipped killer drill. Even soldier crabs run from the moon snail.

But the shells’ inhabitants are gone, dead, their flesh devoured by other sea creatures, their armament souvenirs. Nothing is immune. I place them on my writing desk.

Monday morning I call my dermatologist's office and beg for an immediate appointment. I have a seething mole, I tell the receptionist. The offender should be extracted at once. I have another, less benign looking mole that my GP, with whom I don’t agree, wants removed from its cosmic configuration. The receptionist slides me into an 8:30 a.m. opening on Tuesday. She'd prefer, I'm quite certain, to slide me into a psychiatrist's schedule. I would not argue this. I try to remember when I'd last seen my dermatologist (or psychiatrist). Why had she not noticed the armpit mole? Or had she?

It was this time last year, late July, early August, that I observed my children digging trenches in tidal flats at the tip of Sandy Neck—a Cape Cod barrier beach—constructing hermit crab hotels designed for the protection of vulnerable crustaceans. This, they did, despite the shifting tide which would soon send these crabs scattering beyond the hotel, abandoning their fabricated home. They knew then, too, that as the crabs grew larger, they would eventually toss their borrowed shells in search of roomier ones. The borrowed and discarded shells were small, tiny snail shells, not at all like the heavy shells of deep seas (yet, as my moon snail shells reveal, weighty armor does not insure defense). Watching the kids attempting to offer the crabs a safe harbor reminded me that they would soon shed their own shells. It could be this very summer. Soon, they’ll traverse a world foreign and potentially dangerous, treading further into the deep sea. To where will they retract when threatened? Do they possess the moon snail’s killer instinct? Should they be fearful? Do they sense my fear? I try, I try hard, to keep Worry at bay. I wish them not to be frightened, only aware.

Tuesday morning Dr. Kirk circles the innocent abdominal speckle with a purple indelible marker, writes "2 x 3" above it and takes a photo. She does the same with another in the constellation. With her magnifier, she zooms in on the mad, bulging blot
that now spits from the ridge at the nape of my armpit. This one looks...hmm, she says, as the magnifier scans the surrounding skin, fine. Given my skin's pigmentation, she explains to me.

It is as if she has waved smelling salts beneath my nose. Fine? Fine! I breathe again. I am lucky. (But acutely aware that luck is the card not dealt to all, reserved for no one, and the game invariably changes, so I do not apologize for being an alarmist. I have lost my father, my dear brother-in-law, and one of my closest friends to cancer, all within short time.) Nevertheless, I explain, I would like it removed before it is un-fine. It has been bothersome and prone to snags. This is fine, too, she tells me, but today is not her surgery day.

The others, she points out, are on watch. Should these change, darken, enlarge, action will be necessary. In three months I will return to her office. It will mark one full year from my first skin scan. (Skinscan, I later discover, is an Apple application for the monitoring and analysis of moles. I don’t download the app.) At that time, and though she thinks it’s harmless, Dr. Kirk will remove the underarm mole at my command, along with another mole she’s deemed odd; she’ll hew them down like cleaved trees that do not bear good fruit, slicing them from where they’re rooted with a hand-held straight edge blade. Later she’ll tell me that the mole that kept me up for nights on end is normal. No sign of cancer. The other odd one, she’ll say, is atypical, which means I’m oddly fine for the time being.

“The internet is the worst thing to ever happen to doctors,” she tells me.

“And to patients,” I concur.

I thank Dr. Kirk for her support. I call my GP and cancel the procedure. The rock in my chest is a pebble, my face pink with embarrassment. Unlike the moon snail, I have no knack for slaying. Beneath my pale outer covering is only accumulated fear and worry. It feels counterintuitive, yet I know I must do this, I clearly sense it, I must shed fears, let them loose in my Sea of Unease, expose this timorous being to the elements, the rough seas, the cold winds atop ice-capped mountains, or to things like jets and puddle jumpers that I no longer board, or zip lines, any lines, the aging lines, rimples and knots of my body, all conditions approached with trepidation. Yet, the instinct is to flee.

Here is the rub. I cannot flee. Can anyone? Not even to faraway lands or islands where money is no object. It’s futile. Danger and risk are not unique to the mainland. I can only be aware. Watch the coastline and all things that sail on the horizon, listen to the ebb and flow of its waters and their simple message. Don’t make more of it. You just get in the current and float—you’ll drift right back in round the other side, I was told just days prior, as I stood on the beach of Sandy Neck’s duck-bill tip, fretting about my flimsy aquatic abilities. “Oh, yes, it looks so easy,” I’d replied, while surveying the cold current running a hook around the shoreline. And as I gazed out as a crow flies, into the bay’s channel, drifting peacefully in the horseshoe flow were my two children and Michael, coasting along, round to the other side.

Wednesday, May 23, 2012

On Nudging and Scrapping the Superfluous

Speaking of lost baubles, this is the the fate to which one pearl could have been called: A sweeping Dyson-on-steroids; which may be, in fact, the fate of many a bibelot. I wonder what trifles fall from its colossal canister at the end of the day. Rings, bracelets, wallets, cuff links, homework instructions, sling-shots, super balls, mouth guards, coins, keys, whistles and perhaps, even, a phone or two.

I think it's the time of year.

I am being nudged.

Springtime, it seems, not only summons our inherent need to clean house, to rid ourselves of overflow and redundancy, to make everything sparkle anew, but also rouses a more nuanced, or unconscious, impulse to shed layers of constraint, free ourselves of ties and responsibility. Scrap the superfluous.

Like cell phones.

What I'm hoping won't trend: Left atop his fathers car, Max's cell phone was lost to a zephyr. (Or was it to absentmindedness?) Though, to his credit, he'd trained his phone to be as blithe as he—refusing to part with its view from the rooftop, the LG Cosmos succumbed to great forces only after its mile-long joy ride down the highway.

If I could only say with more certainty what happened to mine. I know only that this past Sunday, while out with Lulu, miPhone was lost somewhere between the myrtle fields bordering the pebbly coastline of southern Rhode Island and the high tension tar-carpeted strip of commerce somewhere in the middle of the state, an area of which I have little familiarity. A frenzied hour of backtracking, mad dashes through mall stores, phone calls to coffee and dress shops, proved futile. (I blame this unusual circumstance on a poor night's sleep and a too early lacrosse game.)

So...

... unlike my pearl experience...

...turns out this family is not good at hunting down phones.

I am being nudged.

The same Sunday, along the same tar-carpeted strip somewhere in the middle of the state, a well-trained and darling girl at the Verizon store took me for a dizzying walk through my options. I don't remember how we arrived from one place to the other, but when we finally came to a pause by the hardware, the girl, having placed a series of phones across the counter, waited for my response. And all I could think, my mind a pasty white of garbled thought—my schedule, my contacts, my music, my photos, my flashlight, my whole life, everything, encrypted into this vanished phone—all I could think was: What did the fortune say? It had been sitting on the windowsill above the kitchen sink for the past week. What did it say? When the moment comes, take the last one from the left. I had pondered this ordinance all week. Scrubbing pots, loading, unloading the dishwasher... take the last one from the left.

How does one know when the moment comes that it's the right moment? What does the last one from the left mean? Does it mean not the last one on the left, but the one to the right of the last one on the left? (This is why I hadn't aspired to Let's Make a Deal stardom.)

Well? the girl nudged me.

I took the pricier one on the left. It came with a personal assistant known as Siri, and I thought, at this juncture, it would be wise to keep a PA in my pocket. Lu and I left the store, returned to the parking lot along the tar-carpeted strip somewhere in the middle of the state, and having no GPS but a new PA, we consulted with the well-paid Siri before backing out onto the road. Lu, asking: Siri, how do we get home from here?

And Siri, in her monotone chest voice, answering: I don't know where your home is. In fact, I don't know anything about you.

(I think, maybe, I misinterpreted take the last one from the left.)

This week, Siri and I are getting acquainted. I'm learning about iClouds and syncing and the gravity of a little sham known as phone insurance. The thing to which we must all submit, for if we fail to do so, if Siri—my bibelot—is sucked into a black hole by the vacuous crazed brush of a Dyson-on-steriods, and she is entirely uninsured, her replacement cost will be more than three times as much as her retail cost.

What happened to the days of plain paper maps?

And wood-framed, phone-cradling, glass boxes on the side of the road?

I am being nudged...

Perhaps what I should do is leave the last one from the left.

*   *   *

This week, and last, I've been nudged into a series of events that are keeping me from communicating with many of you. My map's in hand, though, I'm navigating through the snarl, and will hopefully find a return to the normal (?) within the next week.

Thanks to the sharp-eyed Rubye of Rubye Jack, and to David, one of my favorite Brits in the USA, for gifting to me the Kreativ Blogger Award. I've affixed it, with much appreciation, to the sidebar. :)

Thursday, November 24, 2011

Thank Hues

Newell Convers Wyeth
I see trees of green, red roses too
I see 'em bloom, for me and for you
And I think to myself
What a wonderful world

I see skies of blue, and clouds of white
The bright blessed day, dark sacred nights
And I think to myself
What a wonderful world

The colors of the rainbow, so pretty in the sky
Are also on the faces, of people going by
I see friends shaking hands, sayin', "How do you do?"
They're really sayin', "I love you"

I hear babies cryin', I watch them grow
They'll learn much more, than I'll ever know
And I think to myself
What a wonderful world

Yes, I think to myself
What a wonderful world
Oh yeah



Of course, all is not entirely well with the world. But these are the graces of today, this one designated day of the year in which we pause to consider and give thanks for our blessings, like (this morning's) pale blue skies, warm harvest moons, sweet potato pie, persimmon smiles, turkey-feathered giggles. And for family and for friends and for you.

To all of You: Thank you for being here
for reading, for contributing, for taking the time. For that I am forever grateful, I am.

Wishing you all a very happy Thanksgiving.

[I'll be traveling this holiday. And more, I've taken on a short-term project that will demand a good chunk of my time, at least, through Christmas. You may notice fewer postings
including the usual Friday Night Frolic—during the next month, but I will, sporadically, be posting and saying hello to you, as time permits. Be well.]

Tuesday, October 11, 2011

Transcendental Tuesday

Shot with my Hipstamatic for iPhone

Look how bright everything is today! Fall is brilliant. Fall is a cache of the year's bounty that transcends seasons. It is a boldly sensual time of year. The brightest orange Begonia blossom I've ever seen sits on the deck table, bursting with its here-I-am-savor-my-succulent-blossom-love-I'll-give-for-as-long-as-I-can-give-in-these-final-holding-on-to-grand-summer-slouching-into-autumn-days Begonia magnanimity.

No, no one can argue this color. 

But why are my photos always crooked? 

Today, I'm working on answering that question and tweaking this blog's pages. I've deleted a couple of pages below the header and added, after much deliberation, an "About Me" page entitled Meet the Suburban Soliloquist. Creative, no?

I am thinking about adding old letters. And postcards. I wonder if anyone kept any of my old letters and how badly composed they may be. I am thinking about changing the header photo for some original artwork. Yet again.

I'm happily in that zone. It's about time, eh? 

Begonia essence, I have read, balances feelings of insecurity, quells the blues, increases body awareness and sensation, and eases fear. It does so by collecting the body's misplaced fragments and fusing them back togethera healing tonic for the heart and soul. I keep sniffing the flower. I think it works.

Wednesday, August 3, 2011

August Ease and Interlude

Out at the tip of Sandy Neck, a coastal barrier beach whose duck-bill tip dips into Barnstable Harbor on the north side of Cape Cod, one can anchor a boat at low tide and walk long stretches of sandy, rippled tidal flat. This gorgeous and well protected stretch of Cape coastline is the result of thousands of years of littoral drift, that began as swept sands collecting around a small nub.

The tide charts tell us when to set out to the tip and when to return. The sun tells us the time of day. And I wonder what these warm New England months would be like had I the luxury of designing my entire summer by tidal charts and sun... 

If I didn't pick up pen and paper all summer long... 

What I might be learning through a quiet, sunny osmosis of these slowed weeks without trying to analyze everything I absorb, like the restoration of St. Peter's Church in Osterville—where my husband and I were married—which includes a raising of the structure to accommodate a real foundation (so I was told by a construction worker, as I drove the children past the chapel that sits, teeters actually, alongside Nantucket Sound).

Photo courtesy of the Gallery--St. Peter's Church
Is everything significant?

I think not. But then, I wonder.

Along the intertidal zone at the crest of Sandy Neck, Max and his young cousin dig a trench and construct a hermit crab hotel. They muse over the small, leggy creatures, explaining that they need to protect the crabs, keep the family together. But they know when the tide shifts the crabs will scatter beyond the hotel, abandoning their fabricated home. They know, even, that as the crabs grow larger, they will eventually abandon their own borrowed shell in search of a roomier one. Yet Max and his cousin do their best to protect them while they can.

It is August. In three weeks the children will return to school and all the harried scheduling that goes along with the same. Summer is short and my boy and girl are getting older. The sands continue to spread. Many waters wait to be explored. And so...

For the next few weeks of this warm interval, I'm going to take a much needed sabbatical—a hiatus from the Friday Night Frolic and other self-imposed blogging demands—to explore more of New England, including what's here at home, with my ever growing children. It won't be long before they shed their shells and inhabit an alien framework. 

And while it may not be feasible to live by the sun, or even the moon, or the tide, and whatever they may bring, I think it may be viable (if not advisable) to utilize these remaining summer days, which have been so unusually beautiful—almost like days borrowed from a tropical land—for the purpose of shoring up the foundation, and enjoying the little muses while they are still little muses.

I'll be back, though, come late August—or sooner, as I'm sure to return to the grid periodically to see what's going on here and with you. Until then, my friends, enjoy this splendid summer.

* - Photo taken from my iPhone (yes, I dumped the android!).

Friday, May 13, 2011

Purging, More Apologies, etc.

Seems Blogger thought too many of us were hoarding comments, so they decided to have a yard sale. My apologies (yet again!) for the loss of many of your comments left on my previous post, including my responses to all. Ugh. Apparently Blogger has not perfected their technology (especially when housekeeping), which is alright, it can mean only there are improvements to come. Nonetheless, I know how much thought and time goes into our comments, and I very much appreciate yours, so having them practically stolen is quite frustrating.

While I'm here, explaining what most of you may already know, I'd like to extend to you a great big Thank You for visiting, and for your very kind support. And a special Thank You to Hilary of The Smitten Image, for extending this special award to me in her May 4th blog entry, recognizing this post as a Good Read.


Also, much thanks to The Blogger Formerly Know As for giving to me this special charm:


Warning: I'm going to have a Sally Field moment and say, I think this means she likes me. (I like her,too.)

And now that Blogger is up and running once again, Friday Night Frolic will follow...

Wednesday, January 5, 2011

Tinsel and Tin


Oh, is it Wednesday already? Cripes, Wednesday is actually almost a thing of the past. Not only is it late Wednesday, but it's boxing time, too. By this I don't mean shopping, or the thing those lugheads do in the ring. It's boxing time, as in time to box the tinsel. Remember tinsel? (Is that stuff still legal?) Remember when we used to fling those weightless, metallic fettuccine-length strands all over the Christmas tree? Limp, glimmering icicles drooped in big clumps at various levels around the balsam fir. Then handmade ornaments, painted wood Santas, and origami geese were tucked in every crevice. The big-bulbed tree lights, multicolored and backed by tin reflectors, were turned on with much pomp and circum-stance, Christmas music blaring from the Hi-Fi.

There is no tinsel or tin to take from my tree. None to box. But every once in a while, Mother will haul certain vintage items out of attic storage. I want to tell her how amazing she is for keeping all this stuff, but I don't want to encourage her. Stuff. She keeps it all. Everything. I want to say, Look Mom, you know the only place you can find this Stuff now is in your attic or on Etsy? Sometimes, she'll bring something by the house, asking if I want to keep it (like my elementary school report cards, worn high school jackets, and coupon books—good for one dish washing, redeem for best behavior—that I made for her when I was eight). And of course, I must. So now my basement is starting to look like her attic. And here I am trying to purge, declutter.

But I don't mind.

I love this Stuff. I think I'll get me a warm cup of tea and go boxing now.