Showing posts with label classical. Show all posts
Showing posts with label classical. Show all posts

Friday, March 30, 2012

Friday Night Frolic — The Metamorphosis (To Come)

'Now my dears,' said old Mrs. Rabbit one morning, 'you may go into the fields or down the lane, 
but don't go into Mr. McGregor's garden: your Father had an accident there; 
he was put in a pie by Mrs. McGregor.'
~Beatrix Potter, The Tale of Peter Rabbit

There are forces—intrinsic, extrinsic, otherworldly, Olympian—in the preteen psyche that I hadn't anticipated. The girl is petitioning for a room makeover. Well, is it any wonder? I shouldn't be so surprised, after all, she is surrounded by storybook misfortune: rabbits captured for pie, eggs swiped from ducks, foxy-whiskered, prick-eared gentleman not to be trusted, and owls who skin squirrels alive.

Lulu, who turns thirteen in a little more than two months, has lived among the red hued toile rendering—wall covering and coordinating balloon shades—of Beatrix Potter's creatures for as many years. 

I hadn't thought about Potter's nursery rhyme characters in that light when I decorated Lu's room more than a dozen years ago. I thought, to be candid, that the paper and fabric made for a nursery design with which I could live and a wall covering that would easily grow up with Lu. Now I wonder how easily she's slept for all those years in that angelic, antique three quarter bed while Potter's beasts dallied on the walls.

I admit, the toile was for me. 

But thirteen is a coming of age birthday—a right of passage that has been known to be marked (her brother's room as precedent) by inner sanctum transformation. Hence, Lu's passage into teen-hood will be observed by the conspicuous and abrupt changes that are characteristic of any metamorphosis: a permutation of color; the shedding of layers; altered structures.

The coming transformation is for Lu.

I worry. I wonder if any morsel of Lu's youth will be recognizable in her transmuted cocoon. Or shall I enter to find a Kafka nightmare? Lu as a gargantuan pest?

Goodbye Jemima Puddle-Duck, Pigling Bland, Squirrel Nutkin, my Peter. Augmented inner sanctums take no victims. (Nor—I hope—accidents, like fluorescent permutations.)


*  *  * 


Lacrymosa is the stage name for 22 year old Brooklyn singer/pianist/composer Caitlin Pasko, whose warm, tranquil music gently fills space, time, and captivates. Her second album, Selah, was released in 2010.

Pasko studied classical piano from a young age, and quickly developed a style which she has described as whimsical forest music. Her angelic soprano lends itself well to her otherworldly sound, as well as the pastoral imagery her songs evoke.


Pasko's lyrics are peppered with fields of gold, roses, buttercups, parrots, trees, spiders and tiny horses—just the type of visuals that also might make for something really sweet, like, say...

 Wallpaper?


Friday, August 26, 2011

Friday Night Frolic — Reckoning With Forces

Downtown Providence, RI--1938 Hurricane (RI Historical Society)

Today's Frolic will be brief as we have visitors from Quebecnot to mention a swirling and churning she-storm making its way up the East Coastconverging upon us at any moment.

Our French visitors should be here this afternoon. Irene, if her wrath shan't dwindle, will make her presence known Saturday evening and she may prove to be a force that we New Englanders haven't encountered since the great New England hurricane of 1938. (Though we've weathered significant storms since, but not the sort labeled "Category 3" that also make landfall.)

All this dark, tempestuous she-talk of late reminds me of another force: Danish singer/songwriter Agnes Obel.




Obel's power can be found in the substratum of classical music, simple melodies and often morbid lyrics. You can find more about Agnes here. Her debut album, Philharmonics, was released in September, 2010.



Obel's pitch perfect voice lingers long after the storm has passed. 

Be safe, my East Coast friends. Be safe.