Friday, September 21, 2012

Friday Night Frolic — Acorns





Tuesday was not just a wedding anniversary it
was grey and blustery, rain-soaked
intervals and intervals that couldn't
decide whether they
were intervals

Nineteen years ago, Tuesday, it was the same
grey morning spit which did not stop a golf
game, a walk along the ocean and into
church and everyone said it meant
good luck

But luck is hardly a factor except
when you're down on your luck
and your spouse looks as
grey as the day you
were married

Or the day nineteen years later when you're walking
the dog, or the cat, or the pig or whatever it is
you've domesticated and from the south a storm
of all colors churns maple and oak leaves
and acorns

A day more menacing than the day you were
married enamored of one another, long
before sweet quirks actualized as
annoyances that drove
you crazy

Like his pathological resistance to plan anything or
engage in hyper polemics, as opposed to, say
avoidance, or his addiction to e-bay and
old movie posters too big for
mere walls

(And you thought, you really thought, that
you wouldn't mind if he ate crackers in
your bed)

How is it one in every two marriages survive?
When the veins of heaven distend with squalls
and the oak's acorn-spittle flops on your  head
you quicken pace and feel bad that you ever
loathed him

That there were those moments, days, months, when you loathed
one another—year two, year five, year twelve, year...
the sky and pavement bend heliotrope and two wide-eyed
squirrels chase barb-capped nuts, acorns as dark
as mahogany

They taste of bitter tannin but the squirrels don't mind
they pounce on fallen mast knowing the cache
which is to be their sustenance in the cold
dark months is all that will get
them through

And then, an interval
decidedly!

Great berry chromatic bursts, wind funneling acorns
into its vortex, you're in the storm's eye which
seems oddly not annoying or vile, and as it
spins out on the tar it dumps brilliant
green acorns

In your pocket you place two firm, sage-lacquered
nuts, bring them home as a warm breeze carries
your back.

*     *     *


The Acorn's first release, The Pink Ghosts (2004), was a sumptuous tribute to the band's native Ottawa. Since then, The Acorn has gone on to record several albums, including the acclaimed Glory Hope Mountain (2007), an anthology of mellifluous and vivid stories inspired by song writer Rolf Klausener's Central-American-born mother. And later, No Ghost (2009), described (direct from their website) as: 
...a recording swaddled in dichotomy: togetherness and isolation, acoustic and electric, destruction and restoration.
Which began as:
...hazy late-night improvisations, early morning melodies pulled from the thinning threads of sleep. Modernity clashed with the bucolic via exploratory percussion, feedback, acoustic textures and the natural surrounding sounds.

 Watch those acorns!

Saturday, September 8, 2012

The Heart Dies of this Sweetness


Today's Weekend Wisdom photograph (my rain-drenched Rose of Sharon) is inspired by poet Brigit Pegeen Kelly, whose work was introduced to me last summer by  Darcie Dennigan during a three day poetry workshop. The poem, a beautiful rhapsody/tragedy, entitled The Rose of Sharon, published in The Orchard can be found in its entirety here. This poem came to me yesterday when, peering through a southern facing bedroom window in my home, I noticed how my enormous Rose of Sharon (three of them grouped together, actually) was lunging forward toward lofty, water-jammed downy cheeks that pressed back the noon sun. Wet and heavy with storm, the branches dangled perilously above smaller hedges and a pine tree. We've let the lot go wild. It's outgrown the bed, become unruly and, I'm afraid, is moving toward a mass beheading.

(And what I've done to Tree of breath, Pride of my heart, Pool of my scented breath is simply unforgivable!)

I didn't know a thing about Kelly's work before last year. I returned to her poems, more than just The Rose of Sharon, only of late—for their soothing, pleasing prosody, the juxtaposition of violence and splendor, and for Kelly's general approach to our protean world.

Here, a heart wrenching poem from Kelly's collection of poems, Song.

                                       Song

Listen: there was a goat's head hanging by ropes in a tree.
All night it hung there and sang. And those who heard it
Felt a hurt in their hearts and thought they were hearing
The song of a night bird. They sat up in their beds, and then
They lay back down again. In the night wind, the goat's head
Swayed back and forth, and from far off it shone faintly,
The way the moonlight shone on the train track miles away
Beside which the goat's headless body lay. Some boys
Had hacked its head off. It was harder work than they had imagined.
The goat cried like a man and struggled hard. But they
Finished the job. They hung the bleeding head by the school
And then ran off into the darkness that seems to hide everything.
The head hung in the tree. The body lay by the tracks.
The head called to the body. The body to the head.
They missed each other. The missing grew large between them,
Until it pulled the heart right out of the body, until
The drawn heart flew toward the head, flew as a bird flies
Back to its cage and the familiar perch from which it trills.
Then the heart sang in the head, softly at first and then louder,
Sang long and low until the morning light came up over
The school and over the tree, and then the singing stopped. . . .
The goat had belonged to a small girl. She named
The goat Broken Thorn Sweet Blackberry, named it after
The night's bush of stars, because the goat's silky hair
Was dark as well water, because it had eyes like wild fruit.
The girl lived near a high railroad track. At night
She heard the trains passing, the sweet sound of the train's horn
Pouring softly over her bed, and each morning she woke
To give the bleating goat his pail of warm milk. She sang
Him songs about girls with ropes and cooks in boats.
She brushed him with a stiff brush. She dreamed daily
That he grew bigger, and he did. She thought her dreaming
Made it so. Everything looked strange. It was as if a storm
Had passed through while she slept, wind and stones, rain
Stripping the branches of fruit. She knew that someone
Had stolen the goat and that he had come to harm. She called
To him. All morning and into the afternoon, she called
And called. She walked and walked. In her chest a bad feeling
Like the feeling of stones gouging the soft undersides
Of her bare feet. Then somebody found the goat's body
By the high tracks, the flies already filling their soft bottles
At the goat's torn neck. Then somebody found the head
Hanging in a tree by the school. They hurried to take
These things away so that the girl would not see them.
They hurried to raise money to buy the girl another goat.
They hurried to find the boys who had done this, to hear
Them say it was a joke, a joke, it was nothing but a joke. . . .
But listen: here is the point. The boys thought to have
Their fun and be done with it. It was harder work than they
Had imagined, this silly sacrifice, but they finished the job,
Whistling as they washed their large hands in the dark.
What they didn't know was that the goat's head was already
Singing behind them in the tree. What they didn't know
Was that the goat's head would go on singing, just for them,
Long after the ropes were down, and that they would learn to listen,
Pail after pail, stroke after patient stroke. They would
Wake in the night thinking they heard the wind in the trees
Or a night bird, but their hearts beating harder. There
Would be a whistle, a hum, a high murmur, and, at last, a song,
The low song a lost boy sings remembering his mother's call.
Not a cruel song, no, no, not cruel at all. This song
Is sweet. It is sweet. The heart dies of this sweetness.

Thursday, August 30, 2012

On Capturing the Surreal




It was like this. Surreal. The Outer Cape. Come Saturday morning there were barely a dozen bodies on the beach. No. Twelve exactly. I counted. There had been an electrical storm the night before, morning was grey, but by 9:30 AM the clouds were beginning to slowly disperse southeast over the Atlantic. At 10:30 AM, lunch in backpacks, we mounted our bikes and peddled along the sandy, narrow road, following the deep grooves of wide tire treads set in clay. At the top of the wooded hill, we could barely see the ocean but we heard it like we hear, from a mile away, the soft hum of a highway during rush hour. The pine-covered path that wound down, in serpentine fashion, took us through tall, dancing oaks and merry, berried bushes and out to a paved road leading to the ocean. Lulu piloted the way.

It was like this.

Surreal. The Outer Cape. Nearly every day (and on a few days, very soon after the storms cleared), in northern Wellfleet, abutting Truro, we set our low chairs, blanket and small cooler along the wide expanse of Newcomb Hollow Beach, where the forest, gushing out to sea, falls off in a dramatic one-hundred foot sand plunge, and its rosehip, bearberry and boulder strewn dunes tell a marly, striated history of life along the coastline. (These are the great dunes that Henry David Thoreau called "the backbone of the Cape.") Vegetation clings perilously to the edges of these sand banks, and at the foot of the fallen earth lie injured, traumatized, forest scrub.  It was on this beach, before the inexhaustible sea, that I read to my husband, from Thoreau's Cape Cod, "The breakers looked like droves of a thousand wild horses rushing to the shore, with their white manes streaming far behind; and when at length the sun shown for a moment, their manes were rainbow tinted." To which he, eyes still fixed on Richard Zacks's The Pirate Hunter, replied: Wow. Is that ever overwritten. (Which makes me wonder, now, if I am doing the same.) But the breakers, the gurgling white breakers, from a certain angle, did look like the streaming manes of a thousand wild horses rushing to the shore.

At least to me.

It was on this beach, too, where little terns scattered and herds of seals bobbed in the aqua froth, that Max ran barefoot every day--straight into Truro, along deserted ivory sands, way, way out of our sight. On one such run, as Lu and I ate lunch, I became aware that Max had been gone a long time. Too long. And I had grown concerned. Almost an hour into his run, my phone rang. It was Max. Mom, he said, Mom! And then, the phone cut out. Now, I was more than concerned. I tried reaching him several times, but there was no reception. (On the outer Cape, the valleys and hollows, including the shoreline, are almost entirely dead zones.) Moments later my phone rang again. Max had climbed one of the steep sand slopes--the only spot in which he could find a smidgen of cell phone reception. Immediately I asked if he was OK.

Yes! he hollered into the phone. But there's a seal! A beached seal, and I don't want him to die. I've been cupping water in my hands and tossing it over him to keep him hydrated.

What? Max hun, I explained, seals don't get beached. They're not whales--it's normal for them to come on shore. They can scoot back into the water. He's probably just resting.

Yes, but he's bleeding. His flippers are torn up. He said, too, that he was the only person on the beach. No one else in sight. Which is the way it is in lower Truro, where few roads lead directly to the coastline.

This boy. Kind heart. I felt his worry. (He is the boy who, once, as a four-year-old, eyeing the stations of the cross in church, cried out, What are they doing to Jesus! They're hurting him!) I told him that the seal would be fine. It would go back into the sea and the salt water would heal the wounds. And then I instructed him not to get too close to the seal, not to touch it, especially since it seemed hurt. And then--I don't know why, perhaps I felt deprived of mammal intimacy--I told him to take pictures with his phone, from a distance, to get off the dunes, where he was not supposed to be, and to run back to where I was beached.

When Max returned a half hour later he told me that he had zigzagged down the dunes--so as not to cause this great escarpment to collapse--and then ran toward the area where the seal had been resting only to find that his friend was gone. Returned to the sea. But before he called me from the top of the sandy slope, before he even thought to set his fingers on any buttons, or worry about collapsing dunes, he said, he sat face to face with the seal on the empty shoreline. Just him and the seal. The seal and him. And the seal barked ever so slightly, and Max gently said Hello back.

So the seal is fine. I said.

Yeah, he's good. He smiled.

You had a moment with the seal. That's pretty special, don't you think?

I do. Yup. I do. And then he dug into the cooler and pulled out a water and a turkey sandwich.
It was like this.

Surreal. The Outer Cape.

During an eight-year span in the mid-19th century, Henry David Thoreau set out on four walking tours of Cape Cod. Two of these tours were solo, and two were with the company of his friend and poet, William Ellery Channing, whom had previously advised Thoreau to go out into the briars and build a hut. Thoreau took Channing's advice in earnest. The book that followed that excursion is Walden. The book that followed Thoreau's Cape Cod jaunts is Cape Cod, which is the book that I read on the sand bar that is Cape Cod. It seems that these haunting, and haunted, sands are the closest I may ever get to experiencing a real desert. The Cape Cod National Seashore, in fact, is a kind of desert island. One can sit on the seashore for hours almost entirely alone, even in the hottest, dog days of summer. This graceful arm, especially its soft, sandy wrist to fist, has a history of luring artists and writers to its shores. In the dunes of Provincetown, through which we biked, we were reminded of the writer's shacks of years ago. A few still remain. Eugene O'Neill and Norman Mailer both, at one time, lived in these dune shacks. From a tiny, grey hut overlooking the Atlantic (so the story goes), Tennessee Williams wrote The Glass Menagerie and A Streetcar Named Desire. Here, on the Outer Cape.

Surreal.

And then, a friend of my husband's, who had led us, on our bikes, through several miles of hilly dunes at the tip of the Cape tells us that Mary Oliver is a Wellfleetian. Imagine. Mary Oliver in Wellfleet. (I hadn't heard or read this before, or if I had I'd forgotten.)  I wanted to imagine that I would run into her the next morning while sipping coffee out on the deck in front of The Flying Fish in downtown Wellfleet. But then, I looked her up--the Bard of Provincetown--to find only a P.O. Box number in P-Town. Maybe I misunderstood when he said, "She lives right here." But we were sitting on the brick patio of a Main Street, Wellfleet, restaurant. Right here, on the Outer Cape, may mean almost anywhere on the Outer Cape. (Oliver's bio on Poets.org states that she currently resides in Provincetown.)

We had dinner in Truro the night before we left the Cape. Most nights had been cloudy and threatening, but this evening, our last, was clear and dry. Before we returned to our rental in the woods we stopped by Newcomb Hollow for a last look at the falling sands, the beach, the breakers. Along the shore a few bonfires blazed, some had been abandoned and smoldered. We listened to crackling fires, to waves piling up against what seemed the edge of the universe. The night was very dark, black-dark, and we proceeded carefully down the slope, onto the beach, where we stood under the flawless dome of a flickering galaxy.

No. It was more than flawless. Impossibly beautiful, it was. Astonishing. To the left, to the right, north or south the sky pulsated, fiery dots shot through the sky, auditioned, as if they had waited for our reflection, for our very being so that they might demonstrate their capabilities. I think, truly, they were playing with us.

On the shore, by a pit of orange embers, I pulled out my cell phone. One photograph of the shimmering Milky Way and I understood that the evening could not be captured this way. It could not be digitized, put under any unnatural process, reimagined elsewhere. It was only here--Midnight under the Milky Way--below this celestial canopy under which its myriad characters glint and transmute, on the Outer Cape, land of the surreal, that this beach, this sky, this ocean, this sand was real. Very real.

Wednesday, August 8, 2012

Sifting Through the Narrative

"Better and better, man. Would now St. Paul would come along that way, and to my breezelessness bring his breeze! O Nature, and O soul of man! how far beyond all utterance are your linked analogies; not the smallest atom stirs or lives on matter, but has its cunning duplicate in mind." ~ Herman Melville, Moby Dick 

Lulu's last day of fine arts camp was more than a week ago. Two weeks she'd been there; two weeks in which I thought I'd find an ocean of time to write. But I failed to get in the water. It was the sands, those turbinado-sugar-sands that were still on my mind, mind sands, dunes or desert, where grains of narrative filtered between my toes but failed to stick underfoot. Desert, beach, glass, quartz, black, garnet or volcanic for Chrissake—there was simply no semblance in the sands, and if there were, if by chance there may have been a granule of anecdote, this also sifted through the sieve-of-a-brain that is mine.  No narrative, no structure. Nothing doing. Undoing is what I did. Undoing packages that I'd neatly tied up many years ago. I don't know why I have this compulsion to return to old boxes, to open the lids of rust-covered dreams. A strategy perhaps. Fear of marching forward. Up the hill. For whom do I march, anyway? Up which hill shall I march? What will I find on the other side? (Assuming I actually make it over the summit and across to the other side.)

While Lu crafted and beat the steel drums Max often went down to the fishing hole that is Howard Pond. I had plenty of time to climb a hill. To climb a mountain. But I didn't. I don't know what I did. There's lots with which to fill a day. Filler. I could tell you about all kinds of minutial chores I performed throughout the day. Taxi here and there. Pack, unpack. (Well, I have been traveling, too.) Dishes. Clothes washing. My god, clothes washing! Minutiae fills. It also numbs the mind. And sucks gobs of time and energy into its black hole of domesticity. It allows for disengagement. It's enticing. Which is handy now and then.

Stop.

That path, that sandy, rosa rugosa lined path, is what I've been walking. Yes. Bodily present or not it's where I've been dredging my bare feet like some exotic ammophilous being. And I could tell you, also, that since leaving the turbinado-sugar-sands of Nantucket I'd been thinking about Herman Melville's Moby Dick and my own furling wave of melanomic monomania.  (A wave of which I rode for too long.) This is an unpredictable wave, or so I thought. However, if you drift with it, let the current pull you, you'll eventually be delivered back to the safety of the shore. Should you panic, let it collapse over you, you'll plunge into a delirious spin unto the murky seafloor. 

Wait. I've overdone the metaphor. 

Back to an epic story... 

(Which is what, I think, I should be telling.)

You know Melville's tale—the ship captain, Ahab, obsessed with destroying the great white sperm whale, the ferocious and cunning Moby Dick, to whom he lost his leg. Nantucket is from where Ahab's Pequod sailed. Melville wrote of Nantucket before he ever set foot on the "mere hillock, and elbow of sand."  He first visited the island only after Moby Dick was finished. But it didn't keep him from envisioning, from writing about the island, and its people who... 
... plant toadstools before their houses, to get under the shade in summer time; that one blade of grass makes an oasis, three blades in a day's walk a prairie; that they wear quicksand shoes, something like Laplander snow-shoes; that they are so shut up, belted about, every way inclosed, surrounded, and made an utter island of by the ocean, that to the very chairs and tables small clams will sometimes be found adhering as to the backs of sea turtles. But these extravaganzas only show that Nantucket is no Illinois.
Moby Dick is a book I never fully read. Until now, right here, online. And in each line, each carefully chosen word, I come to understand that I've spent this summer undoing because my story,  my Moby Dick, my Ulysses, hell, my Dick and Jane, is like Moby Dick himself: one grand hooded phantom, like a snow hill in the air. A portentous and mysterious monster. I thought I'd slay him this summer. Ha!

I am not Ishmael. I don't know where to begin. Somewhere, in the sand, I keep thinking. In the sand.

*    *    *

And speaking of envisioning, this man cut away at the stake, has to be one of the coolest literary images I've stumbled upon.

You can see more magic from Brian Joseph Davis here. 

*    *    *

I'm returning to the Cape in a couple of days. Out, above the elbow, along the National Seashore (where sharks, maybe whales too, are slinking about). I'll be  a week or so there. In the sand. The children return to school in less than twenty days... at which time I plan to return to this space fully engaged. 

Now, off to bring Max to soccer...

Tuesday, July 17, 2012

Sea of Unease





























             “This is not good,” I tell my husband. We're in bed. From the house in which we will soon slumber, or try to, we can hear the ocean stirring. It pounds against, and gnaws at, one of the most exquisite islands in the Atlantic. I have been searching for suspicious moles, moles that eat away bodies, since the morning of my physical. I've stretched out my naked right arm and, with my iPhone, taken a picture of what I consider to be a particularly suspect mole, centered, and burrowed deeply along the outer ridge of my armpit, and I am comparing it to the onerous looking moles of the online medical journals that I’ve culled from the Internet with my laptop. Mine is an old, curmudgeon of a mole. At one time it was a pageant-worthy beauty mark, whether adorned by a simple black camisole or a paisley silk sheath. It was a freckle at birth.

Now, it is swelled in various shades above the skin where it meets a charbroiled crescendo; it seems as maddened as a volcano on the verge of blowing, like the sick, angry moles I see on the vast Internet: multilayered and gibbous, some with dry, crusty patches, areas that look like burnt chicken skin, or tiny clusters of flying fish roe. I am jumping from website-to-website for evidence that will justify my fears, and with each hit my anxiety balloons. I see more: cancerous black lesions with uneven borders, red and blue-gray blemishes that indicate malignancy. The photos I’ve taken just won’t do so I tuck my head into my armpit, even though it’s nearly impossible for me to get a decent view of the mole from this angle (or any angle for that matter), and stretch the skin around the dark nub. Michael pulls his book away from his face and gives me a look. What am I doing? I know that he thinks I’m loopy. But this doesn’t prevent me from searching, armpit and Internet, even as I become aware of the increasing anxiety that will keep me from a solid night’s sleep.

“This is bad,” I say to Michael, as if he has not heard my first complaint. “Does this not look like melanoma to you? And why is my doctor concerned about this one?” I point to the dark nebula. “This one looks like all the others. Should I be worried about the others?”

I know Michael wants to say, Yes, you should be worried about the others, just as you worry about everything else. Yes, worry, dammit! Worry and then shut up. But he doesn't say this. He tells me simply to have it removed when we return home. We are on vacation, after all. But I take Worry with me wherever I go.

Instantly I want to shout, Easy for you to say, you're not the one with all the raging moles! Instead I say nothing and he tells me to stop reading about melanoma. I think about my father, my brother-in-law, and one of my closest friends, all of whom I’d lost to cancer in short time. I think about my sister whom had layers of squamous cell carcinoma shaved off her nose. She is in the clear now. It was just last September when my now annoyed and fatigued husband spent three hours on the operating table having his prostate removed. (How in the world could I have wished to utter, Easy for you to say?) Cancer. I’ve become hyper-vigilant. It is quiet, quiet, and we can hear the sea, in and out, and the constant wind gusts, and we can smell the mist from the ocean that comes up in squalls, over the dunes, into the hollow and through the house. We are on the eastern side of the island and the beach is a walk away over the dunes. A large, gentle pond sits on the other side of the sandy, rosa rugosa-lined path that divides house from water. I could be anywhere, though. Anywhere, and I would still tend to Worry.

Earlier in the day, we had taken the high-speed ferry from Hyannis to Nantucket with our two teens. We’d come to visit and relax with my in-laws who own a small home in Quidnet. My father-in-law met us at the wharf where the ferry pulls in. It’s a lovely area of the harbor, trimmed with grey wooden docks, shingled structures and bricked and cobblestoned roads which spill into the island’s historic downtown, where, by way of special zoning bylaws, no large restaurant franchise or retail chain can be found with the exception of a Ralph Lauren store, which Lauren acquired at a cost of more than six million dollars prior to the passing of the bylaw. It all seems so quaint and pristine, so very removed from the rest of the world and all its commercial trappings and corruption. Madras-clad, Sperry-footed people strolling the streets, no hurry, no worry, no mission other than to pass the moment blithely. During one of our previous trips to Nantucket I had read that the island’s early settlers, the Wampanaug Indians, referred to this golden bib of land as a Place of Peace, or in their own language, canopache. To the native peoples, this island was also removed from the world, a faraway place, and so they named it Nantucket, meaning, in their native tongue, faraway land. And it occurs to me now, as I stretch out my armpit mole that the only thing that seems faraway to me is my ability to relax.

We loaded our bags in my father-in-law’s black Range Rover and he drove us out beyond the slick cobblestone, alongside lush, undulating pastures, and pretty ponds dotting the salty landscape, east, down Polpice Road and out to Quidnet, where we quickly changed into our bathing suits and charged back out to the island’s south side, to the narrow strand of beach known as Nobadeer.

But even on Nobadeer’s ribbon of packed, turbinado sugar-like sand that falls out into the wide-open Atlantic, into the blue, blue horizon, I was too anxious to relax.  On the shore I wondered how this fine-grained land must have looked when it first rose from thawing ice sheets, when it was nothing but sandur, an outwash plain from Earth’s last glacial period, separated from Cape Cod’s mainland by the icy retreat; how pristine it must have been! Pristine it still is, in many ways, and even more so during the off seasons, fall through spring, when the island’s population is one-fifth of what it is during the summertime.

Yet, it is not entirely unsullied. It overpopulates in the summer months, especially during the time when we are here—the days that flank both sides of the 4th of July—with a noticeable accrual of noise and litter, especially downtown. This summer, it may be even more populated due, in part, to being recently named the best island in the world by National Geographic. But even with its quaint village, and remarkable landscape, its dramatic drops from highland to sea, it’s hard to imagine that Nantucket would be more beautiful than, say, Bora Bora (though I’ve never been to a land that faraway).
Just above Nobadeer’s dunes is Nantucket Memorial Airport, and early afternoon during the week of July 4th planes descended above heads every ten minutes or so. Later afternoon, the same planes took off with such reverberating thrust that we could not hear one another speak across a beach blanket.

On this island, a place where money is no object, where waterfront is often reserved for the rich, I peered out at the sea before me, at the narrow shoreline, at Max and Lulu on their boogie boards searching for the big wave to Bliss, and then turned back behind me to view the shedding dunes that make clear this earth is still undergoing a glacial warming. Nobadeer slowly erodes, I am told, by ten feet per year—which, to me, hardly seems slow. What was once a wide swath of silky sand is now this narrow strip of beachfront. One can still maneuver a car along the edge of the sandy fraying ribbon just above the high water mark, but it is tricky and, at times, hazardous. There are no lifeguards, no restrooms, nor any facilities, for that matter, at Nobadeer. Summer residents drive out to the beach in SUVs or Jeeps packed with provisions for the day. They open the backs of their vehicles, tailgate style, set up tents and tables and large, colorful beach umbrellas, and spread their feast across the sea-green tablecloth.

Nantucket style—as if there were never meant to be a care in the world.

I sat in a canvas chair by the water at low tide until tall, foamy swells began to wash in and overtake my canvas nest, and observed the busy airport. How long would it be before the constant process of the wearing away of expensive soil and pebble cut into the airport proper and all the turbinado sugar washed out to sea? It appeared that there was hardly a hundred yards from rolling tide to runway. Let's see, ten feet per year, a hundred yards, in roughly thirty years there would be no more fine dining at Nobadeer.

Already, a good portion of Nantucket's seashore had been closed to protect the nesting piping plovers, so access to the ocean was restricted. If you are on Nantucket in the summertime you may not be happy about this, especially if you’re a big beachgoer and the island is swollen with company. Or, you may be elated and thankful for the efforts of conservationists. I was happy that we’d found a beach where the piping plovers do not nest, where we could gather with our hosts and new friends, and watch the children surf and in the rough littoral, and literal, tumble of the breakers, and rake up smooth, white shells. This was a place where the sun stayed pasted in the sky all day and I could simply be there, without obligation, except to sit in a low chair, half-way under a beach umbrella, book bag at my side, consuming food and drink enough to last us a week. Soon, though—maybe it was the pulsing heat—my attention to the distance from shore to airstrip, the sloughing of the beach and dunes, and the private jets and puddle jumpers descending above our sunburnt heads faded, and in a seamless shift I found myself hyper-focused on the itchy, dry, raised mole perched at the nape of my right armpit, above the grooves and swells of axillary folds; it was the nub that was sure to keep me from vacationing. Had it changed over the years? I wasn’t sure. Why didn't I know this? The more I inspected it, the more uglier, angrier looking, it grew. This was not the mole that my general practitioner tapped with her index finger and insisted—as she did the day before we left for Nantucket—must come out. That mole, what she called “irritated and suspicious looking,” floats atop the soft, creamy skin of my upper abdomen and is part of a constellation of small, chocolaty moles that, together, if closely observed, resemble the inverse image of the Little Dipper. That little nebula hardly looks suspect to me.

“She’s wrong about this,” I say to Michael. I’m irritated. “The sick one, the angry one is this one!” I shove my iPhone before his face so he can bear witness to the gruesome, pixelated details of my monster mole, the one that’s infiltrated my body.

“You’ve got to stop thinking like this,” he sighs. “Let’s get some sleep, please.”

The ocean stirs a savory potion, and I want to gulp it down, I want it to magically quell my nerves, to melt the stone in my chest, to make worries go Poof! But I torment myself with Worry into the wee hours before I'm finally lulled to a half-sleep by the salty elixir.

It is like this for the next week. We are on Nantucket, then the Cape. The mole stays angry, I double up on sunblock and get little sleep. A rock stays lodged in my chest. I know it's bad. I wonder if my GP should be the one to disturb the suspicious mole and the hostile armpit mole; mining them from my body. (Where are all the mined moles stored?) There had been a prior excavation—neighboring moles had merged just above the belly button. Moles that merge are always suspect and they are excised with little inquest. In the case of my conjoined moles, former constituents of the abdominal constellation, a half-inch core of skin, fat and tissue to which the moles were attached was cut out with a sharp knife by a Boston dermatologist, who dropped the gory specimen in a liquid preservative housed in a glass jar and jiggled it before me, like I was a spectator at an old wild west hanging. I later learned that the procedure was unnecessary as the mole cluster was determined to be benign. Yet, I was glad for the news, even the cutting, despite the fact that now set at a 45 degree angle a few inches above my navel is a one-inch scar that looks like the fossil of a centipede. I do not wish to have my torso marred by ghostly arthropods.

But I worry.

I say nothing to anyone but my poor, patient husband. I am disgusted with myself. I should be happy, carefree, grateful for the opportunity to be vacationing with Michael’s extended family, all of whom generously host our Cape Cod and Island excursions (of which, otherwise, we couldn’t afford). I resolve to find easy moments with family, and I do: warm, sea-salty moments that are sprinkled, no, flooded with lively, fresh seafood dinners, quiet walks on the bay, excited faces on the little Boston Whaler that takes us out to the little barrier island of Sandy Neck. I am able to shave layers of weighty anguish off the rock. The sky is blue, the weather temperate, and in the late evening the empyrean vault sparkles with amazing firework. All is well until I go to bed. There, I tell myself I am eroding. Like Nantucket’s ecosystem, my body is bearing its fragility. I am aging, deteriorating, and well, something is bound to go seriously wrong with this body. Can't we reasonably expect this?

Back home, where there is no ocean to see or smell for miles, I unpack my suitcase and empty the contents of my book bag. Tucked inside the bag's zippered pocket I find two well-preserved seashells that I'd plucked from the shoreline of Nobadeer. They are large, beautiful shells that look like marble or limestone spiral igloos, not the common mermaid's slipper found on Nantucket's beaches. These shells had once protected muculent inhabitants: snails of deep water—the moon snail. He burrows, too, into mud bottoms, searches for prey, clasps a clam with his gelatinous foot and bores a hole through his prey’s armor with his toothy, chitinous tongue, an acid-tipped killer drill. Even soldier crabs run from the moon snail.

But the shells’ inhabitants are gone, dead, their flesh devoured by other sea creatures, their armament souvenirs. Nothing is immune. I place them on my writing desk.

Monday morning I call my dermatologist's office and beg for an immediate appointment. I have a seething mole, I tell the receptionist. The offender should be extracted at once. I have another, less benign looking mole that my GP, with whom I don’t agree, wants removed from its cosmic configuration. The receptionist slides me into an 8:30 a.m. opening on Tuesday. She'd prefer, I'm quite certain, to slide me into a psychiatrist's schedule. I would not argue this. I try to remember when I'd last seen my dermatologist (or psychiatrist). Why had she not noticed the armpit mole? Or had she?

It was this time last year, late July, early August, that I observed my children digging trenches in tidal flats at the tip of Sandy Neck—a Cape Cod barrier beach—constructing hermit crab hotels designed for the protection of vulnerable crustaceans. This, they did, despite the shifting tide which would soon send these crabs scattering beyond the hotel, abandoning their fabricated home. They knew then, too, that as the crabs grew larger, they would eventually toss their borrowed shells in search of roomier ones. The borrowed and discarded shells were small, tiny snail shells, not at all like the heavy shells of deep seas (yet, as my moon snail shells reveal, weighty armor does not insure defense). Watching the kids attempting to offer the crabs a safe harbor reminded me that they would soon shed their own shells. It could be this very summer. Soon, they’ll traverse a world foreign and potentially dangerous, treading further into the deep sea. To where will they retract when threatened? Do they possess the moon snail’s killer instinct? Should they be fearful? Do they sense my fear? I try, I try hard, to keep Worry at bay. I wish them not to be frightened, only aware.

Tuesday morning Dr. Kirk circles the innocent abdominal speckle with a purple indelible marker, writes "2 x 3" above it and takes a photo. She does the same with another in the constellation. With her magnifier, she zooms in on the mad, bulging blot
that now spits from the ridge at the nape of my armpit. This one looks...hmm, she says, as the magnifier scans the surrounding skin, fine. Given my skin's pigmentation, she explains to me.

It is as if she has waved smelling salts beneath my nose. Fine? Fine! I breathe again. I am lucky. (But acutely aware that luck is the card not dealt to all, reserved for no one, and the game invariably changes, so I do not apologize for being an alarmist. I have lost my father, my dear brother-in-law, and one of my closest friends to cancer, all within short time.) Nevertheless, I explain, I would like it removed before it is un-fine. It has been bothersome and prone to snags. This is fine, too, she tells me, but today is not her surgery day.

The others, she points out, are on watch. Should these change, darken, enlarge, action will be necessary. In three months I will return to her office. It will mark one full year from my first skin scan. (Skinscan, I later discover, is an Apple application for the monitoring and analysis of moles. I don’t download the app.) At that time, and though she thinks it’s harmless, Dr. Kirk will remove the underarm mole at my command, along with another mole she’s deemed odd; she’ll hew them down like cleaved trees that do not bear good fruit, slicing them from where they’re rooted with a hand-held straight edge blade. Later she’ll tell me that the mole that kept me up for nights on end is normal. No sign of cancer. The other odd one, she’ll say, is atypical, which means I’m oddly fine for the time being.

“The internet is the worst thing to ever happen to doctors,” she tells me.

“And to patients,” I concur.

I thank Dr. Kirk for her support. I call my GP and cancel the procedure. The rock in my chest is a pebble, my face pink with embarrassment. Unlike the moon snail, I have no knack for slaying. Beneath my pale outer covering is only accumulated fear and worry. It feels counterintuitive, yet I know I must do this, I clearly sense it, I must shed fears, let them loose in my Sea of Unease, expose this timorous being to the elements, the rough seas, the cold winds atop ice-capped mountains, or to things like jets and puddle jumpers that I no longer board, or zip lines, any lines, the aging lines, rimples and knots of my body, all conditions approached with trepidation. Yet, the instinct is to flee.

Here is the rub. I cannot flee. Can anyone? Not even to faraway lands or islands where money is no object. It’s futile. Danger and risk are not unique to the mainland. I can only be aware. Watch the coastline and all things that sail on the horizon, listen to the ebb and flow of its waters and their simple message. Don’t make more of it. You just get in the current and float—you’ll drift right back in round the other side, I was told just days prior, as I stood on the beach of Sandy Neck’s duck-bill tip, fretting about my flimsy aquatic abilities. “Oh, yes, it looks so easy,” I’d replied, while surveying the cold current running a hook around the shoreline. And as I gazed out as a crow flies, into the bay’s channel, drifting peacefully in the horseshoe flow were my two children and Michael, coasting along, round to the other side.

Friday, June 22, 2012

Not the Usual Frolic — Summer Hours

It was such a lovely day I thought it a pity to get up. 

But I did. As I do every day, even if it's a day in which I cannot take a seat at my desk. And every day that passes, every day of these last two weeks plus some, as such reminds me of how little I've accomplished—at least in terms of scribbling out anything cogent. But school, you see, ended. Summer began. Maine awaited. Celebrations befell. The beach beckoned. Flower and herb pots called (although I've not returned the message). My niece, the Magpie, stayed with us for several days. She loves to flit about and take one thing from another to build something of her own. Anything really. She's a wonder. Then, there was the search for a new car which quite literally gobbled time. True, it ate up every last morsel. And drooled some. (How in the world could I have expected less?) Mourning the loss of the ten-year-old car: entirely unexpected.

I've gone and done something ridiculous. Three rows. For the kids. Ridiculous. Less efficient. She's a beast. An ebony zaftig. A sphinx I can't seem to crack. But she gets six to the beach quite comfortably. And what a beach. Not the beach to which absolutely everyone-and-their-in-laws-in-the-burbs clusters. Oh no. I never liked that beach. Not even as a teen. Back then it had a crowded boardwalk, loud radios, gum-snapping dolls, the scent of baby oil, and lots of gold chains. (But the bus got me there and so I went.) I doubt it's changed much. Maybe it has. Regardless. It's still crowded. At the beach, I don't want to run into people I know. Unless I've planned it. Otherwise, I want Maugham in my lap and a lifeguard who watches the kids. 
He did not know how wide a country, arid and precipitous, must be crossed before the traveller through life comes to an acceptance of reality. It is an illusion that youth is happy, an illusion of those who have lost it; but the young know they are wretched, for they are full of the truthless ideals which have been instilled into them, and each time they come in contact with the real they are bruised and wounded. ~William Somerset Maugham, Of Human Bondage.
I stored chicken stock in an old glass milk bottle. Lulu thought it was lemonade and drank it. Seriously, Mom? Did you have to put it in a milk bottle?! It was not the sort of thirst quenching drink she'd anticipated. Should I have labeled it? I thought that it so closely approximated a urine specimen that she'd surely steer clear. Besides, who would drink something from a milk bottle that did not even remotely resemble milk?

At the graduation party for her granddaughter, the valedictorian, Aunt Sue (Mother's sister) came bearing gifts for her three nieces. A box of Grandmother's books with copyrights dated from the 1920s (W. Somerset Maugham's Short Stories) through 1979 (Barbara Taylor Bradford's A Woman of Substance). Backwoods Betty grabbed The Case of the Cautious Coquette, from Erle Stanley Gardner's Perry Mason series. I took Roman MacDougald's The Whistling Legs, and Carter Dickson's The Cavalier's Cup. As well as the Short Stories of W. Somerset Maugham. (Grandma, it seems, liked mysteries. Aunt Sue, it seems, was surprised by this.) Mary glanced at the box and quickly turned and walked away before any of us could put a hardcover in her hand. I don't blame her. The dusty novels are not allergen-free. Mother, curious as to the box's contents, pulled out a few titles but ultimately slipped them back in, refraining as well.

For a while, when I was a girl, Grandmother lived on a dairy farm. My goal for quite some time during those years was to finagle, each summer weekend, an overnight stay at her place on the farm. Once there, I stole eggs out from under the hens in the chicken coop, chased cats up trees, jumped from the third floor to the second in the hayloft, milked cows, hugged goats and played with the Wright girls at their homestead across the street from the barn. Sometimes, I got to ride Missy the pony. Back then, I welcomed the respite from the noise of the city and the opportunity to run wild while Grandmother baked a strawberry-rhubarb pie. I do not remember ever seeing on the bookshelves of Grandmother's apartment any of the amusing old titles that Aunt Sue had packed in a box. Come to think of it, I do not remember ever drinking milk there, but I do recall whipping cream with a hand blender to the thickest peak in the state. And pouring it over pie.

From the bottom of the stairs Max calls up to me. It's late and he should be getting to bed. Instead he's asking: Oh hey Mom, do you know what this stuff is that's in a dairy bottle?

What stuff, Max? I shout down to him, chuckling to myself, as I try to finish this piece.

It looks like pee. Do you know what it is? It's in that milk bottle? What is it?

Now, I cannot stop laughing. It's funny what one should decide to ask. Or what one thinks oughtn't (or needn't) be asked. I reveal the secret, and decide to close up shop and return to Maugham. I can no longer concentrate. So much for cogency.

Summer Hours: Here and there, like the Magpie. Friday Night Frolics optional. Time off with the kids, mandatory.

(By the way, is anyone reading Joe Blair? I like this guy, and he keeps a blog, too. See his latest post here. )

  Rusted Root - Send Me on My Way by wayne21

Wednesday, June 6, 2012

With(in) Time


I know I haven't made myself present in the blogging world lately. I've been too present elsewhere, though I'm not certain one can be too present. In my case, being too present means I'm giving attention where attention is due, without the usual distractibility suffered by those of us with ADHD. Ah, if I could only manage the same with my writing.

The past seven days or so, I've been helping the kids stay focused on their studies. Not studying with them (except for grammar with Lulu), but wrangling them into study mode. Semester exams began last Friday and ended at 11:20 this morning. As did the last day of school. Thus, begins summer.

Another milestone, too: Lulu turned thirteen this past Sunday. We are now a true teen household. It's becoming increasingly more difficult for me to remember what life was like before the teen years. Childhood and the peri-teen years. (And for the girl, the peri-peri-teens. An agonizingly extended period.) I genuinely welcomed my children's growing independence. Perhaps my failure to summon certain stages of their development stems from an established management strategy; a coping, or defense, mechanism—a survival tactic—the subconscious suppression, or repression, of those infant and toddler days.

There was a stretch of time, six years to be exact, after an ambivalent move to the burbs, when the kids were very small and when my husband traveled nearly every week, a time when this now thirteen-year-old sprite never slept and her older brother, the Nocturnal Knight, never stopped, when I was working full-time, three days in the office, two at home, a time of overwhelming single-mother type stress, when I felt desperate for help. And for sleep. Though I never would have admitted as much then. I barely remember that stretch now. This too shall pass was my mantra. And it did. Pass.

Last night I watched the now 6' 2" Max lift himself from his comfy, curled position on the couch and stride over to the kitchen with a very man-like gait. Shoulders broad, head up, confident, but still rail-thin. When did this happen? This man thing? He won't be fifteen for ten days.

*   *   *

On the eve of her thirteenth birthday, Lu says, Ma, you know I'm happy you're an older mother. I think older mother's are wiser. They don't spoil their kids as much.

I consider this for a moment. But didn't you get everything you wanted for your birthday, Lu? (She didn't want much, really. Just a few clothing items and perfume from her favorite Pink and Hollister stores.)

True, but you don't spoil me like some kids are spoiled, and some kids are not so nice to their parents because of that. They know they can get away with things.

So, you're saying you don't mind that you don't always get what you want.

Yup, that's what I'm saying.

I punch my fists in the air, Yes!, and tell Lu that I wish I'd had her words recorded on tape. (There are many, many things I wish I had on tape. Or on notes. Or video, or any medium given to reproduction.) I try to expunge the thought that, at least in my mind, the essence of this conversation is that I am old. And Lu is anxious that I may not be around as long as some other moms. But that's another conversation. One that we've had. Fears.

*   *   *

I try to remember them as babies. I look at old photos lining the upstairs hall. I recall their smiles and laughs at various stages of their young years. (I  heave aside the colic and tears.) Their pranks and late night prowls in their bedrooms and throughout the house. I almost remember the warm feel of them in my arms, but it is like the warmth of an an old friend who has moved to another country. And I don't have a passport. I want to go there. But I don't necessarily want my photo taken for the papers. What those days ultimately bring to mind, aside from some funny and absurd moments, is how well toned my arms were back then. I wonder if it would be any easier to get those back.

Tonight, I head back to my old high school with Lu. She will present a certificate to the girl who won a college scholarship in my father's name. (Father taught English at the high school.) Max and his cousin Emmie presented two years ago, and another cousin last year. Lu will be at a podium. She will speak. She has prepared notes. She is ready. She does not seem worried at all. It's her time.

_______________________________
June 8, 2012 Postscript:

This morning, I'm heading to the wilds of Maine with the kids to celebrate the end of the school year. We'll be at the family lake house (where internet service is taboo) for the next several days. I'll be catching up with all of you when I return next week. Have a wonderful weekend. :)

Wednesday, May 30, 2012

Every Pile is Atomic

Never mind metals, this is an atomic pile, capable of splitting into fragments that release hundreds of millions of energy volts:

The tallest one in the back row would be Max.

A sweeter pile since taking it all at this past long, hot weekend's soccer tournament (yes, for this is why the Suburban Soliloquist packed--whilst sipping a glass of white with KW). Their energy, though nearly exhausted at the final, earned them the championship. And it was, overall, you might say, I high voltage weekend.

This is another atomic pile:


An atom-smashing force. But in case you are not familiar with the muse, a secret: she is one combustible chain reaction of I-don't-know-whats mingled with when-to-expects?, and often the encounters are altogether foreign, alien (except in controlled environments having limited variables and distinct parameters--or is it perimeters?). Nevertheless, she's highly efficient.

It could be said that most teams, most relationships, no matter the sort, are atomic piles if carefully built and efficient in the maintenance, control and expenditure of energy.

Spent is how the Suburban Soliloquist felt upon returning from the dramatic collection and subsequent fission of boys in colorful uniforms skirring across the turf fields of central Connecticut. Which is why she appears here, today, with little news other than that of piles. Laundry, dishes, bills, emails, appointments, etc., all of which are slowly being dismantled or dispersed, or, um, better yet, delegated.

And here—not to be outdone by the Italian physicist Enrico Fermi, atomic piles expert extraordinaire—is John Hodgman, the marshmallow wrapped in hugs (aha, that's an atomic pile), sharing some universal truths.

On atomic piles and alien encounters...
(It's well worth the eighteen minutes of energy you are about to expend.)


Make of that what you will, but take note of alien encounters and piling atoms about you.