"There is a vitality, a life force, an energy, a quickening that is translated through you into action, and because there is only one of you in all of time, this expression is unique."
~Martha Graham
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| Lulu with Herci Marsden |
Above, is a photo from a few summers back, when Lu participated in ballet boot camp with the Herci Marsden of The State Ballet of Rhode Island. In the late 1960s Ms. Marsden introduced dance to the University of Rhode Island (my alma mater—where I also danced for four years, à la Martha Graham, with URI's modern dance troupe), and at seventy-three years old, she can still work those legs at the bar.
Unlike Lu, who seemed to be entirely out of step during the performance that consummated two weeks of training. For every plié, she did a relevé. For every pas de chat, she made passé. If the dancers' feet were in second position, she was in fifth. I couldn't tell if she was running far behind or ahead, or just playing the opposites game.
See what I mean:
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| That's Lu without a leg up. |
But she kept at it, giggling to herself, didn't leave the floor like she did when she was four, telling me (in almost so many words) the movements were too slow and constrained for her. Not surprisingly, as much as I wanted her to stick with ballet, with the exception of Marsden's soft-toed boot camp, she did not. And I understood this. Dance is an emotional and intuitive expression of life, and for Lu, ballet was all ball and chain, technique where she desired tempest.
Lu's been talking dance the past year or so—jazz, tap, hip hop—asking for lessons at a dance studio, which requires a big commitment, lots of dough, and comes with all the pecuniary trappings: myriad performances, caked on make-up, questionable costumes and grand competitions. Like traveling overseas to perform. Seriously. Seems the entire discipline has been commercialized.
And to that, I say Pooey.
But here we are, headed to a school with dance as an elective, and I can't deny her any longer (besides, it's included in the tuition!). Nor do I want to, for I know the girl needs to move, needs to spin, needs to let her heart spring from it's cage, expand, bounce, and exceed its own yearnings.
Isn't that what we all need?
Well, maybe not the part that makes you dizzy.
~D.H. Lawrence








